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Best camera deals Amazon Prime Day 2020: Canon, Sony, more

(Pocket-lint) – Looking for a great deal on a new camera? Amazon Prime Day is on this week between 13-14 October, with the online retailer slashing prices across its store – meaning you can snap up a compact, mirrorless, DSLR or lens deal over the two-day sale period.

We’ll be bringing you all the deals here when they’re live. 

You can sign up for a free 30 day trial to Amazon Prime to take advantage of Prime Day deals. You can cancel anytime as there is no obligation to continue. Read more about the benefits here

Amazon Prime Day US camera deals


• Canon EOS M6 Mark II – save 27%, now $799. Canon turned a corner in its M series mirrorless line-up, with the second-gen M6 adding welcome changes that make for even greater ease-of-use, while the resolution reaches epic new heights. See the M6 II deal here

• Panasonic Lumix G7 kit – save 49%, now $597.99: This lightning deal bargain – with almost half off – is a great offer as the camera comes with the versatile 14-140mm lens. It probably won’t be around for long! Check out the Panasonic G7 lightning deal


• Canon PowerShot G7X Mark III – save 20%, now $599. Aimed at vloggers, Canon’s small-scale compact comes with a flip-around LCD screen, 4K video capture and even a microphone input. View the G7X 3 deal here

Action Cam:

• GoPro Hero5 action camera – save 52%, now £119.98: It’s a couple of years old, but this video action camera from the best-in-the-business offers 4K capture. It’s small scale and so can go basically anywhere too.See the GoPro Hero5 deal

Amazon Prime Day UK camera deals 


• Fujifilm X-A7 mirrorless with 15-45mm lens – save 36%, now £449: The entry-level model in Fuji’s range opens the door to a very versatile system camera. Check out the Fuji X-A7 deal

• Fujifilm X-T200 mirrorless with 15-45mm lens – save 27%, now £549: A vast improvement over its predecessor, this mirrorless model makes for a solid interchangeable lens camera thanks to improved autofocus and its big vari-angle touchscreen. Check out the Fuji X-T200 deal

• Sony A7 II full-frame mirrorless camera kit – save 49%, now £839: The first full-frame mirrorless camera from Sony is a few years older these days, but in its second-gen form it’s a bargain way into the world of full-frame quality. Check out the Sony A7 II deal

Sony A7 R II full-frame mirrorless camera kit – save 50%, now £1199: The video-centric version, hence the R, is a dab hand at all things moving image. And at half price it’s a bit of a steal. See the Sony A7 R II deal

Advanced compact:

• Sony RX100 Mark III compact camera – save 56%, now £349: The best accessible high-end compact camera series is the RX100. This third-gen model pairs a 1-inch sensor size with pop-up viewfinder. And with £451 off it’s a bargain pocketable compact if you’re looking for better-than-phone photos. See the Sony RX100 III deal

• Sony RX100 Mark VI compact camera – save 36%, now £739: The sixth-gen edition to this high-end compact adds a longer zoom lens than the MkV, while retaining the small build quality that makes it such an appealing pocketable camera. The quality is great from its 1-inch sensor too. Check out the Sony RX100 VI deal


• Sony RX10 III superzoom camera – save 25%, now £829: Looking for something with a bit more reach? A superzoom will be the perfect suitor. This Sony is like an RX100 high-end compact but with a much longer lens, meaning it can shoot far-away subjects as if they’re closer. It’s not nearly as small, of course, but that’s all part of the package. View the Sony RX10 MkIII deal

Amazon Prime Day 2020 quick links

Below are quick links straight to deals pages for the top retailers, just in case you’re looking for something that we haven’t covered. 

Writing by Mike Lowe.

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Xiaomi shows its smartphone with a front under-display camera

In recent years, smartphone companies have begun to think of more solutions that would allow them to build all-screen devices . Thus, the bezels have become thinner and thinner, while more and more notches are replaced by tiny holes. The selfie camera , however, continued to be a major problem with this project, what – somehow – had to disappear from the screen.

A few hours ago Xiaomi also presented its solution for the under-screen camera.

So we moved on to the pop-up camera , which pops out from the top edge of the smartphone when you need it; while we will soon see the launch of the world ‘s first smartphone with an under-screen camera . In very simple terms, the front camera is hidden under the screen and will only appear when needed.

Xiaomi shows its smartphone with a front camera below the display

A few hours ago Xiaomi also presented its solution for the under-screen camera . In a post on his blog, Xiaomi explains that with its technology the company has “significantly improved the quality of the full screen through a proprietary pixel arrangement and the optimization of the camera algorithm, allowing to achieve the same performance as the cameras. conventional “.

A few hours ago Xiaomi also presented its solution for the under-screen camera.

A few hours ago Xiaomi also presented its solution for the under-screen camera.

The new pixel arrangement used in Xiaomi’s latest solution allows the screen to filter light through the space between the sub-pixels, allowing each individual pixel to maintain a full RGB sub-pixel layout without sacrificing pixel density.

Compared to other solutions on the market, Xiaomi has doubled the number of horizontal and vertical pixels, obtaining the same pixel density across the entire panel. Therefore, the area that the camera covers shows the same brightness, color gamut and color accuracy as the rest of the display. All this, in combination with the proprietary optimization algorithm, allows the new camera under the display to offer a completely innovative photographic experience.

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How to use your DSLR camera as a webcam

(Pocket-lint) – If you’re anything like us, you’ve likely spent a lot more time on video calls, online meetings and streaming in the last year than ever before. 

Your webcam has been getting plenty of use, but perhaps you’ve considered upgrading it to something fancier or just wished you could look better on camera. 

The good news is, if you have a DSLR camera knocking about in your house, you can easily use it to upgrade your video calls and really look the part online by following this guide. 

Camera specific software

In the last few months, some of the major camera brands have released software updates to enable users of popular digital cameras to use those cameras as live webcams. 

Panasonic released Lumix Tether for Streaming and Cannon dropped its EOS Webcam Utility to do the same. These options are potentially great free solutions to use your camera as a webcam, but only if you meet the right requirements. 

The software only works with specific cameras – Panasonic’s for example, works with the Lumix GH5 but not the ageing GH4. Your PC also has to meet certain requirements and the software isn’t completely stable. 

It is worth checking for these options first though as they’re free and a great way to try it out if you already have an appropriate camera. 

HDMI capture cards


If you don’t have the right software, the other option comes in the form of HDMI capture cards. Devices like Elgato’s Cam Link 4K allow you to make use of your camera’s HDMI output to convert that view into something your PC can use. 

Quite simply, you plug an HDMI cable into your camera, then the other end of that into the Cam Link 4K capture card. That, in turn, plugs into a USB port on your PC or Mac and then you can use the camera in place of a webcam. 

The Cam Link 4K works with not only DSLR cameras but all manner of other cameras including camcorders and action cameras too. You can check whether it’s compatible here, but what we’ve found is it works with more cameras than the official manufacturer software. 

There are a few other things to think about, like how you’re going to mount your camera or what tripod to use but otherwise, it works perfectly. The Cam Link 4K is recognised by your computer as a USB webcam, so you can simply switch to it within your software and get it to work (more on that in a bit). 

If you’re planning on using the camera a lot, it’s worth thinking about buying a live power adapter so you don’t need to replace the batteries constantly.

These are battery converters you can purchase that swap out your standard rechargeable battery with one that can be connected directly to the mains so you don’t run out of juice mid-video call. They are different depending on your camera, but as an example, this is the one we use with the Panasonic Lumix GH4. 

Why would you use a DSLR as a webcam?

You might be wondering why you’d use a DSLR camera in place of your webcam. The answer is simple enough. You’ll likely have a better lens and capture quality on that camera than any standard webcam you can purchase.  

An HDMI capture card like the Cam Link 4K also allows you to make the most of your camera’s video capabilities. Where most webcams can only manage 720p, the Cam Link allows up to 4K at 30FPS. So with the right lighting, your video will be much more professional, crisp and satisfying too. 

How to use the Elgato Cam Link 4K 

Once plugged into your camera and your PC, the Cam Link 4K is fairly simple to use. Most apps will recognise the Cam Link 4K as a USB webcam immediately. If it doesn’t work when the camera is powered on, then you can usually dive into the settings to get it working. 


How to use Cam Link 4K with Zoom

To set the Cam Link up with Zoom is very straightforward. Turn your camera on and login to Zoom. If it’s not automatically selected as your main device, then click the settings cog to option the options menu. 

From there click on video and you’ll see a dropdown with “camera” next to it. Select that and you should see all the available camera options for you to choose from. 

If you’ve started the app and leapt straight into a call, then you can achieve the same results by clicking on the small arrow on the bottom left next to stop video and then select the Cam Link from there instead. You should then see the camera displaying a view of your surroundings. 


How to use Cam Link 4K with Microsoft Teams

The logic for using the Elgato Cam Link 4K with Microsoft Teams is mostly the same as using it Zoom. 

Open Teams and click on your profile icon on the top right, then click settings. Once in there, navigate to devices and click the drop-down for camera. Again you should see the Cam Link 4K displayed in there. Select that as an option and you’re away. 


Streaming with your DSLR camera

We’ve written before about the best gear to use when streaming and the Elgato Cam Link 4K is certainly a worthy addition to that list if you’re looking to improve your efforts live streaming on Twitch, Facebook or YouTube. 

The good news is, it’s really easy to use the Cam Link 4K with your favourite software. Whether you’re using OBS Studio, OBS Streamlabs or other, you can simply select the Cam Link 4K as your video source and add it into your stream. 

In OBS Studio, for example, click the plus button under sources. Then click video capture device and create a new source. From that menu, you can then select the Cam Link 4K as your chosen camera. 

Then you’re free to adjust the position and size of your camera’s view as you normally would with any source in OBS. Whether that’s full size for just chatting scenes or snug in a corner for a game overlay with a greenscreen filter. 

Camera settings

It’s worth bearing in mind a few things when using your camera this way. Because you’re using your camera’s HDMI feed, you might find that some of the data you’d usually see on your live display might appear on your live camera feed in the apps as well. 

So, things like levels, histograms and grid markings may appear over your face, which is not ideal. The best thing to do is dive into your camera’s settings and turn these things off manually. 

You will also find that tweaks to the live camera settings can usually only be done on camera, rather than within the software. This includes simple things like adjusting brightness, ISO and focus. However, the end result is much better than you’d find with webcams. 

Writing by Adrian Willings.

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Huawei P40 Pro Plus camera review: Zooming into the future

With an impressive 10X optical zoom, Huawei’s P40 Pro Plus is the most versatile smartphone camera ever… with a catch. Source: Huawei P40 Pro Plus camera review: Zooming into the future | Android Central

The post Huawei P40 Pro Plus camera review: Zooming into the future appeared first on GadgetNutz.

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Canon EOS R6 camera can shoot in ultra low-light conditions

Not content with launching just one major camera in one day, Canon has also added the EOS R6 to its line-up – which joins the even-higher-spec EOS R5.

While the latter camera sells itself on ultra-high resolution and 8K video, the EOS R6 is a camera with different attentions. Yes, it’s still part of the RF lens system. Yes, it’s still got a full-frame sensor – but it’s a 20-megapixel one, designed with action shooting in mind.

The R6’s sensor is also capable of shooting in conditions as low as -6.5EV, which means it can autofocus is conditions like moonlight or even candle light. It is, on the basis of that, a consumer camera with no rival when it comes to low-light shooting, which is quite the accolade.

The R6 is certainly no slouch, then, thanks to the latest Dual Pixel CMOS AF II autofocus system – which is capable of automatically detecting faces, eyes, and even animals in order to track them in real time.

Canon described the R6 to Pocket-lint as the mirrorless embodiment of the EOS 6D II (because of its full-frame sensor) and the EOS 7D II (for its fast shooting capabilities). The shutter can actuate at 12 frames per second (20fps in electronic shutter mode), making light work of fast-moving subjects.

Although the R6 doesn’t have the resolution to match the R5 when it comes to video capabilities (i.e. there’s no 8K here), it can shoot 4K at 60fps (oversampling from a 5.1K frame).

Elsewhere there’s a vari-angle touchscreen LCD, paired with a built-in 3.69m-dot electronic viewfinder (EVF) – ensuring versatile use whether you’re shooting from the eye or the waist.

As the body is polycarbonate – not magnesium alloy as is typical – it’s also ultra-light, plus it’s weather-sealed too.

The Canon EOS R6 will be available from 27 August, priced £2,499.99 for the body, or £2,849.99 with the 24-105mm STM kit lens included in the box. That might be just enough to lure you away from a traditional DSLR.

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Best vlogging camera? Panasonic G100 v Sony ZV-1 v Canon G7 X 3

Traditional camera makers are shooting to become king for an expanding market sector: vlogging cameras. Where YouTube is king, more makers are looking for better ways to capture themselves and their surroundings in better quality.

We pick three of the best options out there – the Panasonic Lumix G100, Sony Vlog Camera ZV-1, and Canon Powershot G7 X III – to help you decide which makes best sense to buy and why.


Size & Portability

  • Panasonic Lumix G100: 115.6 x 82.5 x 54.2mm; 412g (with 12-42mm lens)
  • Sony Vlog Camera ZV-1: 105.5 x 60 x 43.5mm; 294g 
  • Canon PowerShot G7 X M3: 105.5 x 60.9 x 41.4mm; 304g

Small is sometimes mightiest. While all three of these cameras are small, it’s the Sony that will most likely feel lightest and most portable. There’s not a huge amount in it.

Sensor Size & Lens

  • Panasonic Lumix G100
    • Sensor: 20MP Micro Four Thirds
    • Lens: Interchangeable lens mount
      • 12-32mm kit lens (24-64mm equivalent)
  • Sony Vlog Camera ZV-1
    • Sensor: 20MP 1.0-inch Exmor RS CMOS
    • Lens: 24-70mm f/1.8-2.8 equivalent
  • Canon PowerShot G7 X M3
    • Sensor: 20.1MP 1.0-inch stacked CMOS
    • Lens: 24-100mm f/1.8-2.8 equivalent

However, there’s a big reason for the variance in size: sensor size and each lens’ focal length.

Both Sony and Canon models have fixed-in-place zoom lenses, while Panasonic’s G100 is a system camera with interchangeable Micro Four Thirds lenses – which makes it potentially much more versatile (and a bit larger and heavier by comparison).

All three of these cameras house sensors that are larger than an entry-level compact, which bodes well for quality. The Sony and Canon both use stacked 1-inch size CMOS sensors. The Panasonic has the larger scale sensor, however, which ought to mean greater potential when it comes to background blur and overall quality.

The kit Panasonic G100 comes with a 12-32mm pancake zoom – which delivers a 24-64mm equivalent zoom. That’s the same on the wide-angle as the 24-70mm of the Sony ZV-1 and the 24-100mm of the Canon G7 X III. Note that the Canon can zoom the furthest – i.e. make farther away subjects look closer-up in the frame.

Audio, Mic Input

  • Panasonic Lumix G100: OZO Audio by Nokia (audio tracking / positioning), 3.5mm mic input, micro HDMI out
  • Sony Vlog Camera ZV-1: 3.5mm mic input, micro HDMI out, deadcat wind-shield included
  • Canon PowerShot G7 X M3: 3.5mm mic input, micro HDMI out

A big reason to buy a dedicated camera for video is for its audio abilities. All three of these cameras offer a 3.5mm microphone input, so you can connect an accessory microphone as you please – whether that’s a directional shotgun mic, a wireless mounted mic, or any other number of possibilities.

However, you won’t necessarily always want to use a microphone. It’s here that Sony comes up trumps by including what’s called a deadcat in the box – a fluffy microphone cover that sits up top and stops wind noise from creating those ‘tearing’ sounds.

The most advanced of the lot, however, is Panasonic’s Lumix G100. For the first time in a camera this includes OZO Audio by Nokia, which utilises the three onboard microphones to record in a directional format – you can define whether you want behind, in front, or subject tracked to be sound isolated. That’s the real big winner: the system’s autofocus includes face detection which can be audio synched, so as the subject moves through the frame the OZO tech will use the right proportion of microphones to channel that audio isolation. Very clever.


Screen & Viewfinder

  • Panasonic Lumix G100: 3-inch 1,840k-dot vari-angle touchscreen LCD; built-in 3,680k-dot EVF
  • Sony Vlog Camera ZV-1: 3-inch 921k-dot vari-angle touchscreen LCD; no EVF
  • Canon PowerShot G7 X M3: 3-inch 1,040k-dot vertical tilt-angle touchscreen LCD; no EVF

Traditional cameras aren’t great for vlogging on account of their fixed screens. All three of these cameras, however, offer mounted LCD screens that can be repositioned: the Canon’s flips forward vertically; the Sony’s and Panasonic’s are side-mounted and therefore offer even more versatile position potential. 

In terms of screen resolution the Panasonic is far and away the most resolute – although at arm’s length we doubt you’ll notice a huge difference in this, and actually more dots on screen is just more of a battery drain.

Of the three cameras only the Panasonic has a built-in electronic viewfinder (EVF). This is more for shooting still images or shielding from sunlight to better judge exposure and composition – so certainly has its use cases.

Video Credentials

  • All models: Up to 4K at 30fps
    • Panasonic: Up to 9mins 59secs
    • Sony: Up to 5mins due to avoid overheating
    • Canon: Up to 9mins 59secs
  • Panasonic Lumix G100: 1080p at 60fps (29m 59s maximum)
  • Sony Vlog Camera ZV-1: 1080p at 120fps (29m 59s maximum)
  • Canon PowerShot G7 X M3: 1080p at 120fps (29m 59s maximum)

Being vlogging targeted, all three cameras cater for 4K resolution at 30fps maximum (and with 100Mbps in all cases, ensuring there’s enough data for optimum quality). However, the Sony can only record for half the time compared to the other two to avoid overheating – and even then the Canon and Panasonic max out at 10 minutes at this resolution.

If you’re looking for Full HD recording to up your recording time, save on bandwidth, storage space, and editing processing pressures then all three cameras can cater for that too.

Slow-motion is best handled by the Sony, with Full HD at 240fps/480fps/960fps available. The Canon offers 120fps slow-motion. The Panasonic’s spec sheet says 120fps sensor output is possible too – but that in-camera capture is 60fps.


  • Panasonic Lumix G100: 5-axis hybrid stabilisation (4-axis for 4K video)
  • Sony Vlog Camera ZV-1: Steadyshot for Movie hybrid stabilisation
  • Canon PowerShot G7 X M3: 5-axis Advanced Dynamic IS & Auto Level

Stabilisation is important when it comes to video. Although you may wish to buy a handheld gimbal for extra stabilisation for those ultra-smooth video results.

All three cameras offer hybrid stabilisation systems – that’s to say there’s optical lens-shift working in tandem with electronic stabilisation (using a portion of the sensor as a buffer to counter motion). We’ve not tested these three side by side so can’t say which is best of the bunch.



The big question: which one to choose? Well, if price comes into the equation then the Sony is the priciest of the lot. That might be a bit of a surprise when the Panasonic offers a more advanced audio isolation system, has a larger sensor size, and interchangeable lenses.

If size is your biggest concern then the Sony is the lightest of the bunch, which helps in terms of portability. It’s also got the most muscle when it comes to slow-motion options – although its 4K capture is more time-limited than the other two.

The decision, as they say, is yours.

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Save up to 30% on the DJI Osmo Action camera

There are some pretty big discounts currently running on the DJI Osmo Action, meaning you can save up to 30 per cent depending on where you shop.

The price reduction has appeared in a number of retailers, meaning you can save a packet if you’re in the market for an action camera, down to £229 in some cases, saving you £100.


Alternatively, you can get the DJI Osmo Action with an accessories pack for just £239 direct from Amazon UK

The DJI Osmo Action is a natural rival to the GoPro, with a similar design and features. It’s most notable for the big display on the front – so it’s easy to film yourself – while the best feature is the RockSteady stabilisation that results in super smooth video.

You’ll be able to shoot 4K at 60fps, perfect for smooth and detailed action, all with good battery life too. It will even shoot HDR footage. 

It uses a large touchscreen on the back for the controls which are simple to use and it comes with waterproofing down to 11m, which will cater for most casual uses.

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Sony ZV-1 is an all-new breed of vlogging camera

Sony has designed an all-new camera from the ground up to be the last word in the world of enthusiast/professional vlogging cameras. It’s called the ZV-1 and it’s compact, lightweight, but features a tonne of features vloggers and video makers will find really useful. 

The design of the camera is all focused around making it easy to hold and easy to film yourself. The small grip on the front has enough of a gap between itself and the lens, that you can place your thumb there in order to hold it while pointing it at your face. It also has a bright red LED on the front that flashes while recording. 

Unlike some of Sony’s other camera offerings, the movie/video recording button is prominently placed on the top, right near the camera shutter button. 

For those who have complained in the past about Sony’s lack of a proper flip-out screen, it even has one of those.

The display can be flipped out to the side so you can see yourself on screen when filming, but likewise, it rotates, and can be held at various angles when viewed from the back or up top. You can even flip it over to have the screen facing the camera’s body when shut, to protect it. 


The top of the camera features a three-capsule mic setup which Sony says can give you clear, good quality audio whether you want to set it for wider ambient capture, or a focus on your voice. It even comes with a custom-made deadcat to kill wind noise that fixes into the shoe mount.

Of course, some vloggers and video makers will want to use their own dedicated microphones, and so there’s also a 3.5mm mic input, but also the capability to plug in an XLR mic via a hot shoe adapter if you need that.  

It’s arguably the video processing that makes this ideal for vloggers, combined with the auto focussing and tracking capabilities that Sony is renowned for. 

Like a lot of its recent high end cameras it has real-time eye and face tracking, as well as fast autofocus based on phase and contrast detection. However, it’s programmed to base its frame exposure on the person’s face that’s in the shot. 

What that means is that you can be talking to camera, walking under bridges, into darker or brighter settings and it’ll continuously adjust the exposure to ensure your face stays looking well exposed and natural. And that’s not dependent on ethnicity either, it can detect and adjust for different skin colours and shades. 

If you’re a vlogger that needs to bring products to the frame – like makeup tutorials or consumer electronics hands-on videos – you can switch the camera to Product Showcase mode, and it’ll automatically pick up the product in the shot and focus quickly on that, and then focus back on your face when you remove it from the frame. 

For TikTok and Instagram Stories users, the camera automatically detects when it’s shooting video vertically, and will transfer that video in portrait mode to your phone, without auto-rotating to landscape. 


It shoots 4K video at 30 frames per second, or 1080p up 60fps, but also features a super slow motion capability and can shoot at 240, 480 and 960 frames per second. You can even shoot in different Log settings, for those who want to colour grade later on in the edit, and it supports proxies. 

Inside, Sony’s equipped the camera with a 1-inch 20-megapixel 4:3 CMOS sensor. 4K videos oversample a 16:9 14MP frame down to 8-megapixel, without cropping it and it’s equipped with EIS and OIS for stability during shooting too. 

It has 315 autofocus points, and can shoot still bursts up to 24fps, and then displays those bursts in clusters within the gallery on the camera. 

The battery is good for 45 minutes of video recording time, or 260 still photo captures, and can be charged by plugging the camera into a microUSB cable. That – of course means – if you’re going out for an extended period, you can take a battery pack with you and plug it in to keep it topped up between shooting. 

The Sony ZV-1 will be available to buy in June 2020 for £700 in the UK.

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Nikon Z5 and Z30 set to expand mirrorless camera line-up

With the passing of so many major shows in 2020 – there was no CP+ in Japan, for example – there’s been a lack of exciting new camera releases. Especially from the big brands, such as Nikon. Rumour has it, however, that’s about to change in the coming months. 

With the company’s focus now on its mirrorless line-up, the Z series, 2020 will see an expansion of focus with the purported release of two new cameras: the Z5 and Z30.

The Z5 will sit beneath the Z6 (pictured), likely to hit a more appealing price point and bring slightly watered-down features to the full-frame model.

At the other end of the scale is the Z30, destined to sit beneath the Z50 – again bringing fewer features for a more accessible price point to the APS-C sensor line-up.

Perhaps the bigger rumour, however, is that in 2021 there’s a plan for a new chart-topping model: the as-yet-unnamed ‘Z9‘. This has been a long time coming – as in the middle of 2019 we wrote about the five features we’d like to see in such a camera. Inevitably it looks as though it’s been delayed.

It all seems very sensible to us if these rumours are true. The company needs to get that kit into the market to expand its range – especially with Canon already offering the M50 and R5 (likely comparable to the Z30 and Z5).

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