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Not content with launching just one major camera in one day, Canon has also added the EOS R6 to its line-up – which joins the even-higher-spec EOS R5.
While the latter camera sells itself on ultra-high resolution and 8K video, the EOS R6 is a camera with different attentions. Yes, it’s still part of the RF lens system. Yes, it’s still got a full-frame sensor – but it’s a 20-megapixel one, designed with action shooting in mind.
The R6’s sensor is also capable of shooting in conditions as low as -6.5EV, which means it can autofocus is conditions like moonlight or even candle light. It is, on the basis of that, a consumer camera with no rival when it comes to low-light shooting, which is quite the accolade.
The R6 is certainly no slouch, then, thanks to the latest Dual Pixel CMOS AF II autofocus system – which is capable of automatically detecting faces, eyes, and even animals in order to track them in real time.
Canon described the R6 to Pocket-lint as the mirrorless embodiment of the EOS 6D II (because of its full-frame sensor) and the EOS 7D II (for its fast shooting capabilities). The shutter can actuate at 12 frames per second (20fps in electronic shutter mode), making light work of fast-moving subjects.
Although the R6 doesn’t have the resolution to match the R5 when it comes to video capabilities (i.e. there’s no 8K here), it can shoot 4K at 60fps (oversampling from a 5.1K frame).
Elsewhere there’s a vari-angle touchscreen LCD, paired with a built-in 3.69m-dot electronic viewfinder (EVF) – ensuring versatile use whether you’re shooting from the eye or the waist.
As the body is polycarbonate – not magnesium alloy as is typical – it’s also ultra-light, plus it’s weather-sealed too.
The Canon EOS R6 will be available from 27 August, priced £2,499.99 for the body, or £2,849.99 with the 24-105mm STM kit lens included in the box. That might be just enough to lure you away from a traditional DSLR.
Traditional camera makers are shooting to become king for an expanding market sector: vlogging cameras. Where YouTube is king, more makers are looking for better ways to capture themselves and their surroundings in better quality.
Small is sometimes mightiest. While all three of these cameras are small, it’s the Sony that will most likely feel lightest and most portable. There’s not a huge amount in it.
However, there’s a big reason for the variance in size: sensor size and each lens’ focal length.
Both Sony and Canon models have fixed-in-place zoom lenses, while Panasonic’s G100 is a system camera with interchangeable Micro Four Thirds lenses – which makes it potentially much more versatile (and a bit larger and heavier by comparison).
All three of these cameras house sensors that are larger than an entry-level compact, which bodes well for quality. The Sony and Canon both use stacked 1-inch size CMOS sensors. The Panasonic has the larger scale sensor, however, which ought to mean greater potential when it comes to background blur and overall quality.
The kit Panasonic G100 comes with a 12-32mm pancake zoom – which delivers a 24-64mm equivalent zoom. That’s the same on the wide-angle as the 24-70mm of the Sony ZV-1 and the 24-100mm of the Canon G7 X III. Note that the Canon can zoom the furthest – i.e. make farther away subjects look closer-up in the frame.
A big reason to buy a dedicated camera for video is for its audio abilities. All three of these cameras offer a 3.5mm microphone input, so you can connect an accessory microphone as you please – whether that’s a directional shotgun mic, a wireless mounted mic, or any other number of possibilities.
However, you won’t necessarily always want to use a microphone. It’s here that Sony comes up trumps by including what’s called a deadcat in the box – a fluffy microphone cover that sits up top and stops wind noise from creating those ‘tearing’ sounds.
The most advanced of the lot, however, is Panasonic’s Lumix G100. For the first time in a camera this includes OZO Audio by Nokia, which utilises the three onboard microphones to record in a directional format – you can define whether you want behind, in front, or subject tracked to be sound isolated. That’s the real big winner: the system’s autofocus includes face detection which can be audio synched, so as the subject moves through the frame the OZO tech will use the right proportion of microphones to channel that audio isolation. Very clever.
Traditional cameras aren’t great for vlogging on account of their fixed screens. All three of these cameras, however, offer mounted LCD screens that can be repositioned: the Canon’s flips forward vertically; the Sony’s and Panasonic’s are side-mounted and therefore offer even more versatile position potential.
In terms of screen resolution the Panasonic is far and away the most resolute – although at arm’s length we doubt you’ll notice a huge difference in this, and actually more dots on screen is just more of a battery drain.
Of the three cameras only the Panasonic has a built-in electronic viewfinder (EVF). This is more for shooting still images or shielding from sunlight to better judge exposure and composition – so certainly has its use cases.
Being vlogging targeted, all three cameras cater for 4K resolution at 30fps maximum (and with 100Mbps in all cases, ensuring there’s enough data for optimum quality). However, the Sony can only record for half the time compared to the other two to avoid overheating – and even then the Canon and Panasonic max out at 10 minutes at this resolution.
If you’re looking for Full HD recording to up your recording time, save on bandwidth, storage space, and editing processing pressures then all three cameras can cater for that too.
Slow-motion is best handled by the Sony, with Full HD at 240fps/480fps/960fps available. The Canon offers 120fps slow-motion. The Panasonic’s spec sheet says 120fps sensor output is possible too – but that in-camera capture is 60fps.
Stabilisation is important when it comes to video. Although you may wish to buy a handheld gimbal for extra stabilisation for those ultra-smooth video results.
All three cameras offer hybrid stabilisation systems – that’s to say there’s optical lens-shift working in tandem with electronic stabilisation (using a portion of the sensor as a buffer to counter motion). We’ve not tested these three side by side so can’t say which is best of the bunch.
The big question: which one to choose? Well, if price comes into the equation then the Sony is the priciest of the lot. That might be a bit of a surprise when the Panasonic offers a more advanced audio isolation system, has a larger sensor size, and interchangeable lenses.
If size is your biggest concern then the Sony is the lightest of the bunch, which helps in terms of portability. It’s also got the most muscle when it comes to slow-motion options – although its 4K capture is more time-limited than the other two.
The decision, as they say, is yours.
There are some pretty big discounts currently running on the DJI Osmo Action, meaning you can save up to 30 per cent depending on where you shop.
The price reduction has appeared in a number of retailers, meaning you can save a packet if you’re in the market for an action camera, down to £229 in some cases, saving you £100.
Alternatively, you can get the DJI Osmo Action with an accessories pack for just £239 direct from Amazon UK.
The DJI Osmo Action is a natural rival to the GoPro, with a similar design and features. It’s most notable for the big display on the front – so it’s easy to film yourself – while the best feature is the RockSteady stabilisation that results in super smooth video.
You’ll be able to shoot 4K at 60fps, perfect for smooth and detailed action, all with good battery life too. It will even shoot HDR footage.
It uses a large touchscreen on the back for the controls which are simple to use and it comes with waterproofing down to 11m, which will cater for most casual uses.
Sony has designed an all-new camera from the ground up to be the last word in the world of enthusiast/professional vlogging cameras. It’s called the ZV-1 and it’s compact, lightweight, but features a tonne of features vloggers and video makers will find really useful.
The design of the camera is all focused around making it easy to hold and easy to film yourself. The small grip on the front has enough of a gap between itself and the lens, that you can place your thumb there in order to hold it while pointing it at your face. It also has a bright red LED on the front that flashes while recording.
Unlike some of Sony’s other camera offerings, the movie/video recording button is prominently placed on the top, right near the camera shutter button.
For those who have complained in the past about Sony’s lack of a proper flip-out screen, it even has one of those.
The display can be flipped out to the side so you can see yourself on screen when filming, but likewise, it rotates, and can be held at various angles when viewed from the back or up top. You can even flip it over to have the screen facing the camera’s body when shut, to protect it.
The top of the camera features a three-capsule mic setup which Sony says can give you clear, good quality audio whether you want to set it for wider ambient capture, or a focus on your voice. It even comes with a custom-made deadcat to kill wind noise that fixes into the shoe mount.
Of course, some vloggers and video makers will want to use their own dedicated microphones, and so there’s also a 3.5mm mic input, but also the capability to plug in an XLR mic via a hot shoe adapter if you need that.
It’s arguably the video processing that makes this ideal for vloggers, combined with the auto focussing and tracking capabilities that Sony is renowned for.
Like a lot of its recent high end cameras it has real-time eye and face tracking, as well as fast autofocus based on phase and contrast detection. However, it’s programmed to base its frame exposure on the person’s face that’s in the shot.
What that means is that you can be talking to camera, walking under bridges, into darker or brighter settings and it’ll continuously adjust the exposure to ensure your face stays looking well exposed and natural. And that’s not dependent on ethnicity either, it can detect and adjust for different skin colours and shades.
If you’re a vlogger that needs to bring products to the frame – like makeup tutorials or consumer electronics hands-on videos – you can switch the camera to Product Showcase mode, and it’ll automatically pick up the product in the shot and focus quickly on that, and then focus back on your face when you remove it from the frame.
For TikTok and Instagram Stories users, the camera automatically detects when it’s shooting video vertically, and will transfer that video in portrait mode to your phone, without auto-rotating to landscape.
It shoots 4K video at 30 frames per second, or 1080p up 60fps, but also features a super slow motion capability and can shoot at 240, 480 and 960 frames per second. You can even shoot in different Log settings, for those who want to colour grade later on in the edit, and it supports proxies.
Inside, Sony’s equipped the camera with a 1-inch 20-megapixel 4:3 CMOS sensor. 4K videos oversample a 16:9 14MP frame down to 8-megapixel, without cropping it and it’s equipped with EIS and OIS for stability during shooting too.
It has 315 autofocus points, and can shoot still bursts up to 24fps, and then displays those bursts in clusters within the gallery on the camera.
The battery is good for 45 minutes of video recording time, or 260 still photo captures, and can be charged by plugging the camera into a microUSB cable. That – of course means – if you’re going out for an extended period, you can take a battery pack with you and plug it in to keep it topped up between shooting.
The Sony ZV-1 will be available to buy in June 2020 for £700 in the UK.
With the passing of so many major shows in 2020 – there was no CP+ in Japan, for example – there’s been a lack of exciting new camera releases. Especially from the big brands, such as Nikon. Rumour has it, however, that’s about to change in the coming months.
With the company’s focus now on its mirrorless line-up, the Z series, 2020 will see an expansion of focus with the purported release of two new cameras: the Z5 and Z30.
The Z5 will sit beneath the Z6 (pictured), likely to hit a more appealing price point and bring slightly watered-down features to the full-frame model.
At the other end of the scale is the Z30, destined to sit beneath the Z50 – again bringing fewer features for a more accessible price point to the APS-C sensor line-up.
Perhaps the bigger rumour, however, is that in 2021 there’s a plan for a new chart-topping model: the as-yet-unnamed ‘Z9‘. This has been a long time coming – as in the middle of 2019 we wrote about the five features we’d like to see in such a camera. Inevitably it looks as though it’s been delayed.
It all seems very sensible to us if these rumours are true. The company needs to get that kit into the market to expand its range – especially with Canon already offering the M50 and R5 (likely comparable to the Z30 and Z5).
Originally announced at the start of the year, Eve Systems has put its Eve Cam on sale at last and it’ll ship on June 23.
Apple HomeKit Secure Video means that activity captured by the camera is analysed by your home hub – an Apple TV, for example – and then either discarded if it’s just a pet going about its daily business or recorded and stored for free in iCloud if it’s a person. You can also choose to store everything if you wish.
The footage is stored for up to 10 days and doesn’t count towards your iCloud storage space. Notifications will pop up on your iPhone to tell you that events have occurred.
Keep a close eye on your home around the clock. Receive rich notifications on your iPhone immediately when something is up in your home – and protect the privacy of your personal space in the process.
The camera itself is a compact Full HD camera with a 150-degree ultrawide field of view. It’s capable in day or night, with infrared night vision kicking in when the lights are off, and an integrated microphone and speaker means you can communicate with whoever is in the room – to surprise intruders, for example, or tell the kids their dinner is ready.
It comes with a magnetic camera base and can be installed on a shelf or wall.
The Eve Water Guard has also recently gone on sale – a HomeKit-enabled leak detector for your home.
DJI’s 4K HDR action camera, the Osmo Action, usually costs between $400 to $500. But, right now, on Amazon (US), you can get it for half that.
It costs $288 and comes with a 128GB microSD card. You also get DJI’s Care Refresh service plan, which allows up to two replacement units in one year. Even if you disregard those extras, the last time DJI’s action camera had this much of a price reduction was around Christmas. It has maintained its current pricing for months. And we suspect it won’t go on sale again until later this year.
Keep in mind this is DJI’s first action camera. When the company first launched the device, many saw it as a little foolish to go after a market place that GoPro has championed – and one that’s dwindling. But we didn’t think that’s the story.
In our review, we noted DJI has a growing ecosystem of products, with drones and gimbals making up a big part of that. For those shooting outdoor action, this Osmo Action adds another weapon to that arsenal, and – for those with DJI drones and Osmos – it gives them another relatively inexpensive, portable camera to slot into that workflow.
It might not be selling billions, but for the DJI user who wants to stick in the ecosystem, it’s a good extra camera that can enhance creativity.
We might just be living in the golden age of smartphone cameras – the camera performance that you can expect from your phone has skyrocketed over the last couple of years, with some delivering truly excellent results.
That said, there are plenty of ways to improve a phone’s camera capabilities a little more, with a whole world of smartphone camera accessories out there, from lenses to tripods. We have rounded up some of the best camera accessories we’ve come across to help you get the most out of your smartphone’s camera.
Unlike the Moment lenses below that need a specific case, Olloclip lenses need a clip that will attach the lens to your smartphone.
You can choose between individual lenses, or lens kits and you’ll find everything from fisheye lenses to various macro lenses, as well as wide-angle, super wide-angle and telephoto.
Moment offers several camera accessories for smartphones, including a number of lens options from a macro lens to a fisheye lens and an Action Lens Duo to a Detail Lens Duo, with plenty in between too.
The Moment lenses don’t come cheap, but with plenty of options to choose from, the company will likely have something for everyone within their lens offering, all of which have multi-element designs and are built from aerospace-grade metal.
The Joby GripTight Pro GorillaPod is a flexible tripod, compatible with any smartphone with or without a case that will make sure the pictures and videos you take with your smartphone are as steady as possible because no matter how sturdy you think your hand is, it won’t be.
There are moulded stainless steel plates that slide and lock to secure your phone and you can use the GorillaPod on uneven surfaces thanks to its rubber feet. It’s also possible to bend its legs around things like tree branches.
The GripTight Pro GorillaPod offers variable positioning that lets you shoot in portrait or landscape orientation and the tripod and mount can be used separately. It’s worth mentioning there are a couple of other GorillaPods available that might be better suited to what you need so have a look.
Another accessory handy to help reduce any hand-shake is the DJI Osmo Mobile 3 Gimble. This device is a portable, foldable, lightweight 3-axis stabiliser that is designed to help you capture smooth footage.
It will react to your movements in real time and it recognises gesture control, allowing you to start recording or take a selfie quickly. A feature called Active Tracking 3.0 uses deep learning and computer vision algorithms for reliable tracking, while electronic image stabilisation and gimble stabilisation are both on board to help with features like capturing Hyperlapse videos.
There’s also the DJI Mimo app that has tutorials, along with various modes and templates to help you create some great content, with a sharing option to show all your friends and family.
There are a number of flashes available for smartphones to help you out when it’s too dark for a selfie, or your smartphone flash just isn’t going to cut it, but the BlueBeach option is simple to use and compatible with different brands.
Cheap and cheerful, the BlueBeach Mini Clip On LED Flash clips on your device and can be used straight away once you switch it on. No need for an app or plugging it in.
It is rechargeable and it is compatible with Apple, Samsung, LG, Motorola, Sony, Huawei and other smartphones so should work with whatever device you have.
Lifeprint’s 2×3 Portable Photo and Video Printer does exactly what you would expect – it allows you to print your smartphone images instantly. The pocketable, lightweight printer will offers wireless printing from 30ft away, connecting to your device via Bluetooth.
It is compatible with iOS and Android devices and it comes with an editing app that allows you to add filters, text, memes and stickers to your images, if you so wish. The Lifeprint 2×3 Portable Photo and Video Printer comes in several colour options too, including, purple, blue and red, alongside white and black.